The Portal of Enki

In these two images, the Sumerian God Enki, God of knowledge, of water, of creation itself (En-Ki, the inseminator of the earth. A complementarity of water and earth, which translates, astrologically, with the glyph of Capricorn, a hybrid between goat and fish, which refers to the winter solstice, and all the Domus are oriented towards the solstices), is about to pass through a dimensional portal, and the detail on the right side of the "chessboard" of Pubusattile, in the Domu de Jana of Villanova Monteleone, in the province of Sassari, here in Sardinia.

I have discussed the "chessboard" in depth in two of my posts in particular (https://maldalchimia.blogspot.com/2020/06/la-scacchiera-de-sa-pala-larga-bonorva.html?m=0 (https://maldalchimia.blogspot.com/2020/12/il-kamasutra-e-la-scacchiera-di.html?m=0)

What I want to underline with this comparison are the common elements between these two images.

First of all, the interdimensional portal with three frames, exactly like our false doors in the Domus de Janas.

Three frames that symbolize the concept of "birth/death/rebirth", but also, probably, much more, since we find them in other civilizations as well.

And then those lateral "waves," mistaken for snakes, which are simply the representation of the electromagnetic energy that manifests through the activation of the portal.

The two individuals on the sides could easily be a metaphor for the two nadis of the kundalini. A sort of astral journey, with the activation of the two energies.

In our chessboard, there are six, symbolizing the synergy of masculine and feminine, necessary for rebirth.

64 little squares in all.

8 whites (the masculine) and 8 reds (the feminine), which act in complementary synergy, to create another virtual dimension, represented by the grid, whose energy manifests itself through frequency, electromagnetic waves, which by definition contain both the electrical polarity (masculine) and the magnetic polarity (feminine).

We find this same grid again, thousands of years later (500 BC), in the Sanskrit text "The Kama Sutra", which is more than a text on the art of love, it is a true doctrine of vibrations, whose grid has the same structure as our chessboard from 5000 BC, which also remained as a schematic structure in the game of chess, in which the two polarities, the masculine and the feminine, the King and the Queen, always guide.

64 little squares, like the 64 fractions into which the Eye of Horus is divided, which represents the vibration of the Third Eye, the one that is connected to the vibrations of the Universe.

The pineal gland, translated into anatomical terms.

Each part of the Eye of Horus is then connected to sections of the brain. This amplified vision, therefore, expresses its potential in interdimensional connections, like the grid of our chessboard, which is certainly a vibrational grid.

A stargate, like many we have in our Domus, and everywhere, in our sites.

Science also deals with this. These are areas, those of the ancient megaliths, that pass on the Ley Lines, on the Dragon Lines, strongly electromagnetic, which coincide with hyperdimensional portals, often in proximity.

large deposits of quartz or other minerals with piezioelectric properties ((from the Greek πιέζειν, to press, to compress) is the property of some crystalline materials to polarize, generating a difference in electric potential when they are subjected to mechanical deformation).

We know that obsidian, which is abundant in Sardinia, is a powerful energy generator, used both as an amulet and for its therapeutic properties, like other crystals abundant in our land.

In-depth studies by NASA, since 2012, have confirmed that these portals exist and are the result of the interaction between the Earth and the Sun's magnetospheres. Frequent portals, which open and close, are located at particular points called markers or X-points, which can be visibly crossed by electrons, where the magnetic fields of the two celestial bodies connect and disconnect, creating microexplosions and consequently opening these portals.

Portals identified as energetically anomalous, and considered, by ancient civilizations, as sacred places, upon which Gothic cathedrals were then built, in more recent times, with a whole particular structure based on Sacred Geometry.

One of these places, of interdimensional passages, among the many, that we have (see also Stonenge, Machu Pichu, the Egyptian pyramids, and many others) seems to be in Peru, in a mysterious structure, called Aramu-muru, or “Gate of the Gods”, used for ceremonial or astrological purposes.

But without going far, here in Sardinia, there is electromagnetic synergy everywhere.

I have repeatedly reported Dr. Altana's in-depth writings and studies on this subject.

Our structures are being studied electromagnetically all over the world, except here.

I myself have studied this matter several times, even the possibility that our Ancient Shardana used electromagnetism as a means of defense.

The "warriors who mastered energy"

(https://maldalchimia.blogspot.com/2020/06/osservavo-queste-tre-immagini-la-prima.html?m=0)

They certainly knew well how to harness and channel energy.

The nuraghe are an example of this catalytic dynamic, as are the Giants' Tombs, sophisticated architectures still used for therapeutic purposes, like the nuraghe themselves.

They do not create energy, but maximize and exploit what already exists in nature, enclosing it within the same structure. In addition to exploiting the north-south axis, with entrances to the south, in the nuraghi, they exploited the electric field generated by the water flowing beneath the construction.

A tangible orgone energy (https://maldalchimia.blogspot.com/2020/05/osservavo-la-conformazione-triangolo.html?m=0)

The nuraghi as a reflection of a celestial harmony, which our ancestors perceived, and felt part of, precisely on a vibrational level.

(https://maldalchimia.blogspot.com/2021/05/i-nuraghi-riflesso-dellarmonia-musicale.html?m=0)

A harmonious relationship represented by the golden spiral, in which the form develops harmoniously according to nature, with a great optimization of energy.

For this reason, the sonic phenomenon, the sonic vibrational dimension is so important for man.

The sense of direction is in the ear, and it is this "hearing" that leads man to higher, more spiritual planes" (incidentally, Enki is also called "gestu'", which means ear, perceiving with the divine ear)

The nuraghe, the Tombs of the Giants, the Sacred Wells, the Domus de Janas, are all catalysts of energy, and it should not surprise us, given their rituals and connection with the other dimension, if these ancient shamanic rites were also practiced in our Ancient Civilization.

The similarity between the star portal, crossed by the God Enki, with three frames and the electromagnetic vibrational waves alongside, and our three-frame portals, and the respective vibrational waves, precisely on a grid that indicates the synergistic creation in the dimension of the third eye, of perceiving beyond, is strong and evident, when the two polarities act in synergy.

Why is it contemplated in a Sumerian civilization, which in many ways resembles our own, and not in ours?

We should learn to go beyond archaeology, beyond the find, and have a comprehensive vision that transversally intertwines symbolisms and concepts, apparently distant, but which instead act as a semantic thread, a symbolic koine that transversally concerns all ancient civilizations, which, however, were intimately connected with the divine and astral dimension.

Tiziana Fenu